Barry Thomashe's
bang on - a bit wrong with his ideas of beauty but the democratic basis
of art and its role as moral/lore maker I call - meme seeder. He's so
good on the anti academic/ university horse fecal matter definition and
control of art - f...shit
Barry Thomasresponse
to his ideas you mean? He's articulating so much of what I think is
correct logic - give or take - for the purpose of modern art, where it
came from and how it works... in some ways it's too simple for the silly
academics and philosophers who seem
more engaged in tying themselves in ever increasing knots rather than
what I suspect drives most of us - art doing real things rather than
entertaining... I love how he agrees precisely with my thing that around
80% of the best things I have ever come up with start with a diagnosis
of an issue followed by eureka resolutions - I have to watch the last
third - tomorrow to be sure of all of what he's saying - I do think his
notion of beauty vs beautiful is interesting but this goes more toward a
condemnation of the oligarchy of any milieu controlling and proscribing
one element of culture - 'taste' - Duchamp taught us to look away from
taste - with indifference - ie. any problem perceived is either solved
with a yes, a no or an indifference... I suspect the real thing is an
acceptance that any problem will become a solution which is a new meme
and myth and that becomes the new problem / boundary to see through and
solve... there is no key there is no prison
Barry Thomasexactly...
especially - like he is saying - who is in charge of what gets seen and
done... the money go round always falls beside the tree inside the drip
line - to the sycophants of the status quo feeders - which is not where
the necessary changes come from...
Barry ThomasArtists
are always so driven into isolatory oblivion - the edges of culture and
the changes that are wrought etch inward so slowly that oft times we
don't get the rewards or recognitions... and if and when we grizzel we
get turfed further out. grrrrrrrrrrrrrrrrrrr
Wells Taothere's
this great scene, where this taxi mogul, takes robert rachenberg and
makes him sell for a lot of money, and robert is like where's my cut,
and the guy says, well not now, but from now on your work will sell for a
lot of money. And it is framed as if
Robert was saying, hey, don't do that, but it wasn't much of a fucking
fight. From my perspective. I mean why would you. Well, of course we
know the well worn woe of expression being valued only for it's wealth,
I've seen the lines of people filing past the billion dollar van gough,
while litteraly, Duchamp was outside, by the exit stairs.. that no one
used given the cattle sized lifts available..
Barry ThomasBrilliant...
sure - commodification is a dangerous carrot eh... Banksy ... who the
fuck is Rauschenberg now anyways? Look at this shit... one of my last
'paintings' in 1979 (apart from the bit of stuff I did in Coromandel
2007) was called 'hopefully meaningless'
( ie. the end of any quest for abstraction must - like this untitled
mess of RR's - end in meaninglessness) so we are simply left with hope -
- which leads us out into the real world to deliver that hope innit?
Duchamp got kindof trapped - still in the old art model the patronage
and parties of Drier etc... selling Brancusis etc... all he had to do is
what many of us are doing and walk out the door and do stuff in the
real world - - take the readymade and take it back home if you like
Barry ThomasY;know
it makes me revert to my idea I fired around a year or three back...
that we need to create a medium/forum - something like a conference to
articulate exactly what we are on about... the drivers, the results,
desires, some histories and futures.
Wells TaoPersonally
where I am at, is I'm going separate. I've tried going up the guts of
the legit industry, and they've made it clear that my role is martyr
only. Un interested in my classical capitalist 'new renewal' perspective
so far. that's fine with me, i'd rather appeal to the general public
than collect stamps of approval from bigger fish looking at stocking
their own feeding ponds..
Barry ThomasMartyr
is a bit strong... perhaps with bene off you didn't forsee what the
media and CNZ and WINZ would do to you, perhaps you didn't have the
wisdom support structures that could see it coming and who hung you out
to dry? the one thing I learned in the
environmental advertising thing I created and had nicked and which
saatchis and TVNZ stole to profit from to the tune of $1mil ie -
Earthcare' was - all (in this case advertising - but it may as well be
art) social project initiatives must have no negative unforseen
consequenses... they teach this shit at advertising school - ie don't
rebrand coke with a word like tnuc - coz someone will read it in the
mirror one day
Wells TaoAll
the belly aching comes down to, do you have the work or don't you...
I've got the work. Only i'm to busy to get it to the public.. Time and
place... are comin...
Barry Thomaspartly
I think it's magic too - I think - I agree with Duchamp - in the end
artists only ever make one or two things that stand - or in my terms -
affect change. These calls to make these changes are not some system or
some method or some cute relationship
with people, dealers, agents, galleries - they are milieu moments that
scream for change - that's where the magic is - and only a few
people/artists can see that need and see what needs doing to affect
those changes... jam in some new dimensions to steer the ship in a safer
better direction... the rest follow - (under the shelter of the
branches)... so maybe twice a lifetime these will happen to the very
best - not best but most insightful... the magic of vision... and the
holders of the status quos will always loath that impediment to change -
cause all their eggs are firmly in the one basket... their noses are in
their won troughs of course they are wanting to vilify change agents...
in the end this is the 'war' - a perpetual one - even within one's own
mind - the personal mind has its own oligarchy/hegemony too.
Wells TaoI
have this Sci fi picture of tech/economy and the social/biology lagging
behind, where magic art, the real deal, catches up or near to it, or
leaps a head for a moment, offering a brain that wonders as the
accelerator is pressed down
Barry ThomasReminds
me of some of those stunning monologues in Naked lunch - I can just see
you narrating the story - slowly doling out the yarn... no action -
just the story plain and simple and rivetting
Wells TaoI
realised recently that every drink of alcohol, tea coffee, any altered
reality, sugar, is a spirit move, a desire to let go and embrace
something else... everyone, in broad day light, trying to merge out of
the plain of base needs.., and this need endlessly manipulated into
products that can not satisfy by design.
Barry Thomaspress
art pedal to the metal - he got that in one all right and this shit...
this is a seriously large scaled art movement - bigger than any silly
abstract expressionist bla de bla... this stuff truely is world
changing... surely... when this movement eeks outinto the countryside,
and 3rd world - we will see major chnage for the good... it is driven by
serious logic in the real world ... http://eco-publicart.org/
Barry Thomasyeah
- and add to that drive away from addictive shit the base need to laugh
eh? best art ever! I mean laughing is central to the creative urge and
like the urinal and many things I have discovered - at the heart of the
eureka moment - one can suddenly see
what needs to be done... see it all and encapsulate that with the
inherent contradictions of the joke... resolved as a kind of purging
trauma - released into the new thing... the new idea... now I reckon
that's one additcion we should never ever let go of
Wells TaoI
don't know about that eco art, I see it a bit like recycling, worlds
largest instant religion, to relieve conscience for real change... oh
well. But i'll happily stand corrected
Barry Thomasyeah
there's lots of it that will be cute for a week or a year and disolve
away but what is driving it is... the need for community, a better
planet, better food, getting ones hands dirty, melting the FFFFkg cities
away - so it will spread to the country - which will be a serious
battle with the likes of dairy/ return of our fucked wetlands and rivers
etcy etcy... all good stuff a comin down the track
Barry ThomasI
love that thing Hickey said too - that was it 35,000 fine arts
graduates pumping out of art school in the USA every year - for what?
FFS - this is the mindless shit happening here - god knows we need Dhyana Beaumont
's idea of a proper art school with eco principles - not too fussy -
rather than these kids producing more and more stupid commodities -
Wells TaoI
like that art ed is mainstream, big numbers.. more art language around,
possibilities to flow around that gate keepers more possible, as the
audience is our selves...