Tuesday, November 18, 2025
Monday, November 17, 2025
Sunday, November 16, 2025
Saturday, November 15, 2025
" it was clear that the vaccine did protect against the diseases they were vaccinated for. The kids didn't die of dtheria, tetanus, and protessis. Only one problem. Once they looked at it, they were dying at five times the rate of all of these other issues. So, it was clear that though was protecting against these diseases, it was weakening their immune systems to all sorts of other problems. " Documentary - An Inconvenient Study
Thursday, November 13, 2025
On A Beach, Brave New World
On A Beach
I, I have swam those raging seas
Washed up by an ocean who had tired of me
How I survive
I will never know
But this wreck's got a home
And a whole lot of hope
I'm out on a beach
Sat on a rock
Thinking of you and the love I've got
I saw the devil's servant
I sent her home
I said bring me your master
I don't want his dog
I'm on fire
I'm full of love and new desire
I'm on fire
I'm full of love and new desire
Full of love and new desire
I lit my fire, blew my conch
Nobody comes
I built my boat from bamboo
But it sunk
I looked at the sky for vapour trails
Nobody comes
I wrote your name on a tree
Along with the days this is taking you away from me
I'm out on a beach
Eating my heart
Thinking of you and the love I've got
I saw the devil's servant
I sent her home
I said bring me your master
I don't want his dog
But I'm on fire
I'm full of love and new desire
I need somebody like you
I won't cry, yeah
I ain't afraid to die
Ain't afraid to die
And here we go
Ain't afraid to die
I'm out on a beach
Eating my heart
Thinking of you and the love I've got
I saw the devil's serpent
I sent him home
I said bring me your master
I don't want his dog
I'm out on a beach
Sat on a rock
Thinking of you and the love I've got
I saw the devil's servant
I sent her home
I said bring me your master
I don't want his dog
I'm out on a beach
Sat on a rock
Thinking of you and the love I've got
I saw the devil's servant
(I need somebody like you)
I sent her home
I said bring me your master
I don't want his dog
I lit my fire and sent my conch (I'm on fire)
Thinking of you and the love I've got (I'll eat The Beatles for lunch)
I saw the devil's servant, I sent her home
(I need somebody like you)
(I'm full of love and new desire)
(I said bring me your master, I don't want his dog)
I built my boat from bamboo (but it sunk)
Thinking of you and the love I've got (I'm on fire)
(I saw the devil's servant, I sent her home)
(I said bring me your master, I don't want his dog)
(I ain't afraid to die)
I lit my fire and sent my conch
(I'm on fire)
(I'll eat The Beatles for lunch)
Thinking of you and the love I've got
Brave New World
Into the brave new world
I hope I see you on the other side
Of this changing world
Baby when my ship pulls in
I try to believe in anyone
Look at the state I'm in
But for now
I'm just sitting at the table
Hearing songs
Wishing I was able, stable
Nah, nah, nah, nah, nah, nah, nah
Nah, nah, nah, nah, nah, nah nah
Nah, nah, nah, nah, nah, nah, nah
I hope I see you on the other side
Nah nah, nah, nah, nah, nah, nah
I hope I see you on the other side
Brother don't try to find
Don't try to believe in anyone
For I would change your mind
Baby when my ship pulls in
I try to believe in anyone
Look at the state I'm in, I'm fine
But for now
I'm just sitting at the table
Hearing songs
Wishing I was able, stable
Nah, nah, nah, nah, nah, nah, nah
I hope I see you on the other side
Nah, nah, nah, nah, nah, nah, nah
I hope I see you on the other side
Nah, nah, nah, nah, nah, nah, nah
I hope I see you on the other side
Nah, nah, nah, nah, nah, nah, nah
I hope I see you on the other side
I hope I see you on the other side (wishing, wishing)
I hope I see you on the other side (wishing, wishing)
I hope I see you on the other side (wishing, wishing)
I hope I see you on the other side (wishing, wishing)
I hope I see you on the other side
But for now
I'm just sitting at the table
I'm hearing songs
I'm wishing I was able, stable
Nah, nah, nah, nah, nah, nah, nah
Nah, nah, nah, nah, nah, nah, nah
Nah, nah, nah, nah, nah, nah, nah
I hope I see you on the other side
Nah, nah, nah, nah, nah, nah, nah
Brave new world
Nah, nah, nah, nah, nah, nah, nah
I hope I see you on the other side
(don't keep me waiting, don't keep me waiting)
Nah nah, nah, nah, nah, nah, nah
Brave new world
Tuesday, November 11, 2025
the crime of COVID and Jacinda’s wilfully ignorant, Team of 5 Million - Tao Wells
Jacinda’s team of 5 Million
of the wilfully ignorant
COVID Around the world is a
crime scene
hundreds, millions
have been killed by something made
in a lab
Governments evoked ‘The Greater Good”
- promising “safe and effective, vaccine”
knowing
from the manufacturer,
before hand, that all three were a lie
They lied, made us all incredibly afraid
enough to sell each other out, what for?
Science
We all got sick
What did “essential workers’ get
holding the balance of power in their hands
risking their lives for the rest of us?
A raise? Better conditions?
Nothing
A history making trillion,
a million million already prepared
already given to the COVID rich
two classes
more debt to the poor
What a win
Racists, sexists brought us the truth
tried to defend us
with free speech, we SHUT THEM DOWN
for the inconvenience
the wilfully ignorant
Jacinda’s obedient army
lovers of streamlined Fascist Corporate/ Government arrangements
at the expense of more complicated
Democratic rights and freedoms
Nice one NZ!
And the ongoing damage
turbo cancers
fertility drop
myocarditis
mortal distrust
a criminal has created these
the way a farmer sews a seed
are we allowed to be
even angry
at those who are actively
trying to kill us? Do not ask for permission!
And we are told by evil step mother media
nothing to see here, move along, get over it
A Crime! Corp/Gov vigorously scrubbing
Never will we get over it
Next to the genocide of Palestine
is the crime of COVID
on us all
Monday, November 10, 2025
Sunday, November 9, 2025
Saturday, November 8, 2025
Sunday Sermon for the post jesus jesus's haters _ Tao Wells
Friday, November 7, 2025
Thursday, November 6, 2025
Wednesday, November 5, 2025
" I got smeared as a Jew hater, an anti-semite, and conspiracy theorist cuz I said exactly what I just said. And I refused to back down despite all the smears thrown at me because I learned during COVID. I learned when they told us that it came from a bat in the Himalayas. I learned when they told us the vaccine was safe and effective. I learned when they told us that Ivormectum was horsepaced that you better keep asking questions because it's the only thing that keeps us free." - Charlie Kirk Video Going Viral
Monday, November 3, 2025
Spread like dead eagles - Tao Wells
I’m not rude
phones made me rude
the bone
the device
the tool
machine said
listen to me
I had my reasons not to
so I hung up
I said fuck off death star
not today
this cute
adorable
cute little woman
with all the love
in the world
I told her to go to hell
by hanging up to her
hanging like a man
who knows right from
wrong
who has to be hung
in front of hell
to get a bite to eat
the machine said
fuck your life
rim job
I cut your time
open, insert my tentacle
into your eye mind
and eat your brain
with what
an agreement
a contract who signed this rape
agreement? Machine says yes
body says no
nobody says no
we all lay on our backs
legs in the air
spread like dead eagles
Sunday, November 2, 2025
Saturday, November 1, 2025
Thursday, October 30, 2025
Wednesday, October 29, 2025
Monday, October 27, 2025
Sunday, October 26, 2025
Saturday, October 25, 2025
Friday, October 24, 2025
Thursday, October 23, 2025
Wednesday, October 22, 2025
Tuesday, October 21, 2025
Monday, October 20, 2025
Sunday, October 19, 2025
what do you do. - Tao Wells
what do you do
with people who
are killing your friends,
let’s call them x
x also wants you to kill them
so their friends will be
able to feel persecuted
threatened, feel bad,
be so bad that,
that a super good guy
who is currently missing
cancelled, me too# children
god will have to come
back to earth
and spank them
but then love them
proving that they
were right to kill
my friends
and that my killing them
made them happier.
Fulfilling a greater good
by forcing heaven on to earth
This is insanity
made normal
the same way
capitalism has
arranged theft
of works wealth
to be normal, class like
they both don’t make good sense
but the sense they make
is one that threatens
to exist anyway
regardless of how
I feel about it
So I am asked
what do you want to do
about it, this is here
it’s not going away
I don’t know, surly
we’ve been here before
how did the last lot address it
oh, of course that’s how we got here
just one abused poor person away
from a tyrannical capitalist, package
recycled, perfectly
trauma sewing trauma sewing
the rest of us standing around
watching them kill our
friends
Saturday, October 18, 2025
Tuesday, October 14, 2025
Monday, October 13, 2025
Sunday, October 12, 2025
Mark Lombardi
Mark Lombardi
Mark Lombardi | |
|---|---|
| Born | March 23, 1951 |
| Died | March 22, 2000 (aged 48) |
| Nationality | American |
| Alma mater | Syracuse University |
| Occupation | Artist |
Mark Lombardi (March 23, 1951 – March 22, 2000) was an American neo-conceptual artist who specialized in drawings that document alleged financial and political frauds by power brokers, and in general "the uses and abuses of power".[1][2][3]
Education and early career
Lombardi was born in the town of Manlius, New York, just outside Syracuse, New York. He majored in art history at Syracuse University, and graduated with a B.A in 1974. While still an undergraduate, Lombardi had a job as chief researcher for a 1973 art exhibit Teapot Dome to Watergate – a multimedia collage, all of whose elements focused on various US governmental scandals; it was motivated by the then-ongoing Watergate scandal. In 1975, James Harithas (the former director of the Syracusan Everson Museum) hired Lombardi to be an assistant curator at the Contemporary Arts Museum in Houston, Texas, where Harithas had become director. Lombardi worked there for approximately two years, until 1976. While in Houston, he also opened a small art gallery, "Square One".[2] Then, he became a general reference librarian for the Fine Arts department in the Houston Public Library, started a regional artist archive, and wrote two books, one on the drug wars and another on the neglected and forgotten art genre of panoramas. During this time, Lombardi was also an abstract painter of no particular note; he pursued painting as a hobby during his actual career as an archivist and reference librarian.[3]
Late career
Six years before his death, Lombardi switched to link analysis pencil diagrams of crime and conspiracy networks that he would become best known for. In the early 1990s, he began researching the many scandals of the time, including the BCCI scandal, the Harken Energy scandal, and the Savings and Loan scandal. The thousands (roughly 14500) of index cards that he accumulated in the course of this research began to overwhelm his ability to deal with them, and to cope, Mark began assembling them into physical outlines, and then into hand-written diagrams. These were intended to be a tool, to provide focus to his work, but he "...soon decided that this method of combining text and image in a single field (called a drawing, diagram or flow chart, whichever you prefer) really worked for me in other ways as well." This decision was spurred, according to Lombardi, while he was talking with a friend about one of the participants in the Iran–Contra scandal, Adnan Khashoggi. Regarding this conversation, Lombardi wrote "I began taking notes, then sketching out a simple tree chart, showing the breakdown of Khashoggi's American holdings. Within days, I began making more of these charts, depicting other corporate networks I had researched. I was writing several pieces at the time and found the charts a useful, quick reference to the material at hand."
Initially, as the subject of one of his manuscripts, the primary focus was on the drug wars, but because of Pete Brewton's January 1990 newspaper series about the Houston S&L scandal, in which Brewton alleged that the Bush family, CIA members, and Mafia members took part in a de facto conspiracy to steal vast sums of money, Lombardi shifted his emphasis to investigating the laundering of the stolen money.[4]
Lombardi divorced in October 1996, and moved to Williamsburg, Brooklyn at the urging of his friend Fred Tomaselli. There, he participated in a group show at the Drawing Center, called Selections: Winter 1997, followed by two solo art shows: Silent Partners, shown in November 1998 at Pierogi 2000 in Brooklyn,[5] and Vicious Circles, a work drawing upon Jonathan Kwitny's book of the same name dealing with Mafia involvement in the legitimate commercial markets, shown in 1999 at the Devon Golden Gallery in Chelsea.[2][3] Mark was included in Versus IV - a Willoughby Sharp curated group effort juxtaposing five American artists (including John Drury, Neil Frankl, Alan Skarritt and Duff Schweninger in addition to Lombardi) with eight Europeans in Torino, Italy - also in 1998, where two of his drawings including "Neil Bush and Silverado #2" (1996) were printed in the accompanying catalogue. He also participated in another group show, Greater New York: New Art in New York Now in February 2000 at the P.S. 1 art gallery.[3]
In March 2000, on the day before his death, Lombardi moved all his work to Pierogi 2000. He then bolted his apartment from the inside and hanged himself, on the day before his birthday and three years after he had moved to Williamsburg.[2]
Works
Lombardi called his diagrams Narrative Structures.[4] They are structurally similar to sociograms – a type of graph drawing used in the field of social network analysis, and to a lesser degree by earlier artists like Hans Haacke. Other important influences on Lombardi were philosopher Herbert Marcuse,[2] and visualization expert Edward Tufte.[6]
"On October 17, 2001, five weeks after the terrorist attacks on the World Trade Center...an FBI agent contacted the Whitney Museum of American Art....to obtain a reproduction of Mark Lombardi's large drawing BCCI-ICIC & FAB, 1972-1991 (4th Version) or, if that were not possible, to see the actual work at the museum. At about the same time, Lombardi's gallery, Pierogi, also received a telephone inquiry from a 'lead investigator into the September 11th attacks.' Federal investigators wanted to obtain information pertaining to wealthy Saudi Arabian terrorist Osama Bin Laden and his Al Qaeda network by tracing his many financial connections...[to] BCCI," Robert Hobbs writes in his introduction to Global Networks.[4][7] Hobbes continues: "If government investigators had merely decided to include select members of the art world in their investigation in the 9/11 attacks, that fact alone would have been newsworthy. But when an F.B.I. agent consulted a work of art for clues pertaining to terrorist financing, she unwittingly made history."[4]
In Lombardi's historical diagrams, each node or connection was drawn from news stories from reputable media organizations, and his drawings document the purported financial and political frauds by power brokers.[3]
According to Hobbs, who faced the overwhelming task of fact-checking Lombardi:
"Certain things that are listed in the drawing are in red. These represent court judgments, actual dollar amounts. That is verifiable information. And I think that Lombardi himself realized that not everything could be verified. So I think what you have instead is names. We know about connections of names. Exactly what is that connection is hard to characterize. So that is a line with an arrow in one direction, or an arrow in two directions. So it's really the abstract component of the work of art. It's what can be represented, and – really – what cannot be represented."[7]
For instance, his 1999 drawing "George W. Bush, Harken Energy, and Jackson Stephens, ca 1979–90" shows alleged connections between James Bath, the Bush and bin Laden families, and business deals in Texas and around the world. Following Lombardi's suicide in 2000, the book Mark Lombardi: Global Networks was written in conjunction with a traveling exhibit.[4] The editors chose to incorporate into the cover artwork (see image at right) a detail from "George W. Bush, Harken Energy, and Jackson Stephens, ca 1979–90", showing George W. Bush (on the back cover of the book) and Osama bin Laden (in the upper left of the front cover) separated by one step from each other in the network, via Bath; the same connection between Bush and bin Laden was also highlighted in a 2003 Boston Globe article that described the FBI's interest in Lombardi's works immediately following the September 11 attacks of 2001.[8] Lombardi's diagrams map the illicit flow of capital, amounting to a creative form of story-telling or, arguably, financial true crime.[9]
Other subjects that interested Lombardi and were covered in his works include:
- Chicago Outfit
- Meyer Lansky
- The P2 conspiracy, Michele Sindona, Roberto Calvi
- World Finance Corporation
- Nugan Hand Ltd.[10]
- Gerald Bull, Project Babylon, Space Research Corporation
- Iran–Contra, Lake Resources of Panama and Oliver North
- Global International Airways and the Indian Springs State Bank
- The Banca Nazionale del Lavoro, Ronald Reagan, Margaret Thatcher, and the arming of Saddam Hussein
- Charles Keating, Lincoln Savings (a subsidiary of American Continental Corporation)
- BCCI and ICIC
- Harken Energy Scandal, George W. Bush, James R. Bath, and Jackson T. Stephens
- Hans Kopp, Shakarchi Trading AG
- United Press International, and its attempted takeover by Pat Robertson with the aid of Beurt SerVaas.
- Jackson T. Stephens, the Lippo Group, and Bill Clinton; also, Clinton, the Lippo Group, and China Ocean Shipping Co.
Posthumous exhibits
A major exhibit of Lombardi's art, "Mark Lombardi: Global Networks," was organized by Independent Curators International and curated by Robert Hobbs. The exhibit traveled to nine museums over 2003–2005, and has been the subject of several reviews.[8][11][12] The exhibit catalog was published by Independent Curators in 2003.[4][13]
Several of Lombardi's works were included in a 2010 show, NineteenEightyFour, hosted by the Austrian Cultural Forum New York.[1] A re-exhibition of his work was held at the Pierogi Gallery in 2011 which, in addition to his drawings, included his bookshelf and a vitrine displaying some of his reference materials, as well as a 1996 video of Lombardi interviewed by Andy Mann.[14][15][16]
20 of Lombardi's drawings are in the permanent collection of MoMA.[17] Another 10 of his drawings are at the Whitney Museum of American Art,[18] and were the subject of an FBI investigation after the September 11 attacks in 2001.[8][19]
In 2012, German director Mareike Wegener released a documentary on Lombardi, entitled Mark Lombardi: Death-Defying Acts Of Art And Conspiracy. The movie premiered in May 2012 in Germany and the Brooklyn Film Festival,[20] and then opened in September at MoMA in New York.[21] Reviewers of the movie suggested that, unlike Lombardi's own work, it relies too much on innuendo and too little on factual information,[22] and that it focuses too much on testimonials from friends and does not adequately explain the impact of Lombardi's art.[21][23]
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Saturday, October 11, 2025
Friday, October 10, 2025
"If you're going to wrap yourself in the cloth of the first amendment and not talk about this the most immediate existential titanic threat to the First Amendment because you're afraid of the Zionist movement and you're afraid to critique Zionist power, then you're just irrelevant.": Max Blumenthal on Matt Taibbi's Gaza SILENCE
Solstice For Embodiment
For my life I held on tight
And you made it worth
me living it right
All those years we had
I wish they’d last but
You and I have gone somewhat quiet
Pushing innocence away
Now that’s something
I can never get back
As the time has changed
I’m lost, not gone.
I’m moving on
And I’m leaving but
I’ll see you again
You’re my old friend
you call
And I'd still take you to the end
Spilling secrets
for us
To hold to forever within
Catching distance is hard
but loving who we were way back then
Oh but it’s something I will never regrеt
As I’m older now
I notice how
I’ve sacrificеd myself in expense
Do you know something
I don’t
Cause you seem to spend forever, no end
And you can’t blame me
for what it’s worth
I can’t put myself first
And I’m leaving
but I’ll see you again
You’re my old friend
you call
And I would still take you to the end
Spilling secrets
for us
To hold onto forever within
Catching distance is tough
While loving who we were
way back then
I’ll run with you
I’ll watch the sun come through
I’ll watch our time
And all our memories too
To tell the truth
I’m holding onto you
That’s why I cried
And lost my sense of youth
And I’m leaving
but I’ll see you again
You’re my old friend
you call
And I would still take you to the end
Spilling secrets
for trust
And god the things I’d give to relive
Times of hope all
for love
It’s something I still carry within
