Wednesday, June 16, 2010
The Disertation, By cambell Walker
The man who split the back of nature had a sense of humour. from Tao Wells on Vimeo.
Notes on a film by Cambell.
First off let me note that i drew adown a bit from my little bong, my litte mambia the cobra of singing nettles, lightbulb, other wise here, forth know as, little monster. Takig pipe in
hand my macbook, (given to me by my rich, glamourous, beautiful cousin who lives on the corner of West 21sit ad 82nd st.) I notice full screen, that the quality of the medium he is shooting on is pureposefully dense, bright and rich, colours are pure intense and focused, This is post super realism people this is high definition, stop to think subtle sinificance of that shift, - (I can't Right no think, cause I am speeding, to get to my fanale) here with Cambell you are visiting the frame, you are the camera, you breathe, but you are a camera, you watch.. past the point of humanity... and that is cambells point, the visitor steps through the frame with contemplation, and extended gaze, a delay, in glass... illuminated illumination, high definition.. is another point )... perhaps implying information age.. i dunno. I'm out of clasps) - The opening shot is masterful, the Narrsissit, Icarus, whose bailed from his assignment, the one given to him By the GOds,, -(Always his parents, you?) And then the most extroordinary thing happened, he actually proposes and then does the Big Shave by martin Scorese, the epic undergroud piece of kudos in the underworld of the art A-G (Avant-garde). - where he shaves - like Cambell - But scorese cuts up his face - Cuts it up. The ultimate edit. And i sit there realing the Genius - he's going to make me get up and leave because of the homosexual intimacy of privacy that by medium be is invading - erasing this fronteer by creating it in his own image - the boudary maker, Cambell Walker, And here is the Best part - I get up and leave - knowing perfectly
That he would keep going, would become the warhol of film ad Empire my arse for nine hours - I would leave But the film would be left still Running - I would want to be in his presence while I visited the kitchen to watch the birds, which have infested this particular garden with an abandonment of uch wild animal status that my constant source of distraction is their meriment and its display in the trees, - I come back from visiting Bird land to find Cambel cutting himself up - wrist cheek, neck, I am Repulsed
By his war paint - where is his blues?
Red Reds not the colour, Red's
not a colour, Blood is Black,
BLACK I SCREAM AT YOU,
CAN'T YOU TELL THIS'S A TRick
THIS SNICKERY THIS IS ART
ALL ART IS THE ART OF THE
CONJOURER THe TRick of a
TRICKSTER, HEY You THis >
is what Reality looks like... oh.
Boy I took the Wefare train
of Reality to out hereness and
oh - you know what you get a
pretty lear view of the
fuckers who are the minority who
are pulling all the strings....
He washes his face again,
more moved on than whole
circle - maby it's the sho of the
platone window light, with
curtain thrown asunder, Fading
Jingle theory of a perfect guitar
sendiment grinding off the emptyness
left by the intent intensity
of the ending......
Hey Cambell what do you think of that Review...