Criptic Critic Conscience and Known for it
Wednesday, September 26, 2012
Tuesday, September 25, 2012
porn and war movies together this hippy thinks that being down with nature and being at on ewith peace, means being down with war and being at our nature all the time we gang bang when we've down with monogamy, there just are those people who are sick of it, and need, want can do something else to get off no moral decision only plenty of defendable territory, endlessly being discovered every second but necessary to defend it not at all there is no fence for porn and war. my adherence for you your adherence for me We fed each others hatred, to get off on when we get to your side oh the thrill of the forbidden oh the sordid tail of detail, the things you did somehow be you are all the time flipping back and forth the red cross ladies the woman of the black veil, dressed in white you war woman in there with the martyrs cross in the war for the righteous soul YOU WAMNA are war omngerer with men as your ally. You and I we are one the worlds elite make porn, they are hired by the powerful paid by the powerful to carry out their fantasies, as they can carry them out It's holleywood for ever on it;s knees giving blow jobs… All the present cultures are driven that way… a big soft white are, soft thighs creamy bouncy, wet and cavernous that look s good sucking meat sucking meat is it really that bad I'm breaking own the door to my sexuality, my homosexuality in a literally way, TO be the other intellectually so I can be fucked well in the head that shits out ideas after it eats. And I eat , Rather well hief to be fucked and sucked like a drive through car wash
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Sunday, September 23, 2012
Wednesday, September 19, 2012
After Dark with Play boy Barbie, (1969)
After Dark with Play boy Barbie, (1969)
Clearly a great dancer
Canned Heat - The Drink, Prohibition years, Give you a little buzz, knock off the top of your head. The real living history in swap and hill music, those living in the margins of obscurity reinventing a language to say something, the rest of us are scared of.
Great cleavage.
Hefth, loved one woman, he attempts to love another. Our culture punished him for loving more than one woman. What did the woman actually think. Were they betrayed? Would have things naturally changed and that this change itself was the source of the anxiety and condemnation.
Is it not true that Playboys first move in production was Shakespears Macbeth.
I remember it being brutal, but I suspect it wasn't bloody enough to be a success at the box office. Such restraint for high art, suggests a real appreciation for it. Where is that quality now? Underground?
Clearly a great dancer
Canned Heat - The Drink, Prohibition years, Give you a little buzz, knock off the top of your head. The real living history in swap and hill music, those living in the margins of obscurity reinventing a language to say something, the rest of us are scared of.
Great cleavage.
Hefth, loved one woman, he attempts to love another. Our culture punished him for loving more than one woman. What did the woman actually think. Were they betrayed? Would have things naturally changed and that this change itself was the source of the anxiety and condemnation.
Is it not true that Playboys first move in production was Shakespears Macbeth.
I remember it being brutal, but I suspect it wasn't bloody enough to be a success at the box office. Such restraint for high art, suggests a real appreciation for it. Where is that quality now? Underground?
Monday, September 17, 2012
Saturday, September 15, 2012
A review this week of Parekowhai's piano at Te Papa. It has an extra para near the end which I wish in hindsight hadn't been cut for the Dompost. Had an interesting conversation with Wells Tao about this this week, where he asserted it wasn't a community piano - it being a grand piano. Yet what I like about it is that its a grand piano we all own and should all get to play.
Friday, September 14, 2012
Michael Foucault. The Archaeology of Knowledge. 1972
There is the notion of 'spirit', which enables us to establish
between the simultaneous or successive phenomena of a given period
a community of meanings, symbolic links, an interplay of resemblance
and reflexion, or which allows the sovereignty of collective consciousness
to emerge as the principle of unity and explanation. We must
question those ready-made syntheses, those groupings that we normally
accept before any examination, those links whose validity is recognised
from the outset; we must oust those forms and obscure forces by
which we usually link the discourse of one man with that of another;
they must be driven out from the darkness in which they reign.
And instead of according them unqualified, spontaneous value,
we must accept, in the name of methodological rigour, that, in
the first instance, they concern only a population of dispersed
events.
Showing
I don't know what is good,
do you
can you show me good, oh you can show me good
but can you tell me what is good
i don't think so
for to tell me something is good
you must show me
how it is so
well i make the things that you show
you show my things and only then do you decide whiter it is good,
and i make the things
and you decide
that is good or bad
my friend
you deciding
and me showing
do you
can you show me good, oh you can show me good
but can you tell me what is good
i don't think so
for to tell me something is good
you must show me
how it is so
well i make the things that you show
you show my things and only then do you decide whiter it is good,
and i make the things
and you decide
that is good or bad
my friend
you deciding
and me showing
TO Chris Kraus. On Performative Philosophy.
TO Chris Kraus. On Performative Philosophy.
A reaction to the condensed form of psyche inequality. this sensitivity is built into the artist the inventor of sickness, and in their translation of their dance does the cure lie providing food to heal. Yes it is a tourettes.
Were you smart enough to uncover an equation for wealth in art from radical critique, or were you lured by the status quo to silence your perspective. Hmmm…….
There were so many points we missed
So many high fives full of air
we were windmills
graceful industry, a dutch wind
blazing
A reaction to the condensed form of psyche inequality. this sensitivity is built into the artist the inventor of sickness, and in their translation of their dance does the cure lie providing food to heal. Yes it is a tourettes.
Were you smart enough to uncover an equation for wealth in art from radical critique, or were you lured by the status quo to silence your perspective. Hmmm…….
There were so many points we missed
So many high fives full of air
we were windmills
graceful industry, a dutch wind
blazing
Wednesday, September 12, 2012
Friday, September 7, 2012
Thursday, September 6, 2012
Wednesday, September 5, 2012
Sunday, September 2, 2012
Saturday, September 1, 2012
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